Archive for the ‘Power Pop’ Category

Like many, I was first introduced to The Plimsouls through the 1983 movie Valley Girl. They appeared as a club house band in the film, where three of their songs were featured. (If only I were so lucky to have had them as the house band at my regular haunt back in the day). The group’s dynamic power pop, garage sound was hard to resist. Well-known on the thriving L.A. music scene for their energetic lives shows, they seemed primed for bigger things but it was not meant to be. Unfortunately, the band disbanded in the mid ’80s due to solo career pursuits.

The group was formed by singer/songwriter Peter Case in California in 1978, after toiling around in two previous bands. They quickly became favorites on the early ‘80s L.A. club scene, and Case was gaining critical attention for his songwriting. They released their first EP in 1980, Zero Hour, which showed promise and received heavy airplay on the legendary L.A. KROQ radio station. Their first album, 1981’s The Plimsouls, managed to capture the vitality of their live shows but had poor sales. They would go on to record the 1983 LP Everywhere At Once, before parting ways due to Case’s pursuit of a solo career. They did reunite in the mid ‘90s and released the album Kool Trash but it received little notice. Case found some success as a folk-rock artist and continues to tour to this day.

Featured prominently in Valley Girl, “A Million Miles Away” was the song that propelled the band into the spotlight. With no record contract in place, the band self-funded the single. After the song was selected for the movie soundtrack, and with a new contract with Geffen, they quickly re-recorded and included on the Everywhere At Once LP.

 

The song “Everywhere At Once” is the reason I bought the cassette of the LP, and played it to ruin. It also appears in the Valley Girl film. From the first guitar chords I was hooked. The song then builds to a rousing, almost perfect power pop anthem.

 

I had a group of friends over for an ‘80s high school movie night this past weekend. Not wanting to go the John Hughes movie route, I chose films not everyone in the group had seen. The playlist for the night consisted of songs solely from the movie soundtracks. The goal was to watch three movies but as conversation and music flowed, time got away and we only got in two movies. The first film up was Valley Girl (which has arguably the best teen movie soundtrack of the ‘80s) followed by Fast Times at Ridgemont High. Unfortunately, we didn’t get to the final film on the agenda, The Last American Virgin. The film has a rather interesting soundtrack, where you’ll find arena rock songs alongside new wave classics and R&B love songs. I first came across the movie on late night cable TV, where my sister and I watched it more times than I care to mention.

A remake of an Israeli movie called Eskimo Limon (a.k.a as Lemon Popsicle), The Last American Virgin was released in 1982, within a month of Fast Times at Ridgemont High. Unfairly dismissed as another teen romp akin to Porky’s, the film has since become a cult classic. Not to say the movie doesn’t have its share of raunch, which it certainly does, it also has some honest coming of age moments. It also has a surprising twist ending, that I won’t give away here. The soundtrack was promoted just as heavily as the movie, with good reason, as it includes songs from The Police, Human League, The Waitresses, Blondie, The Cars, Devo, U2, The Plimsouls, Oingo Boingo, REO Speedwagon, Journey, and the Commodores. I was really looking forward to screening the film for the group because if nothing else, they would have appreciated the soundtrack. Perhaps another ‘80s movie night might be in order.

Besides the heavy hitters, there were also some lesser known bands who contributed to the soundtrack, such as The Fortune Band. Formed in the late ‘70s, the band had some minor success in the early ‘80s and caught the attention of Columbia Records. They decided to include the band’s single “Airwaves” on the soundtrack. The song is a burst of new wave, power pop with plenty of catchy synth. The video for the song is a low-budget affair and has the band performing in a studio with plenty of cheesy visual effects.

 

The Gleaming Spires also appear on the soundtrack with their 1981 song “Are You Ready for the Sex Girls?” (The song also appears on the 1984 Revenge of the Nerds soundtrack). The song was intended to be a B-side but eventually became the group’s only hit. It’s a bouncy, novelty song that wouldn’t seem out of place on a Sparks’ album, a band they would later join. The video has singer Leslie Bohem and drummer David Kendrick making a pie, of all things. After his tenure with Sparks, Kendrick would later drum for Devo in the mid-eighties.