Archive for the ‘Punk’ Category

If you had the opportunity to play DJ for a night, wouldn’t you take it? That’s exactly what I did for my birthday this weekend. Decided to rent out a local club for a couple of hours and invited friends to dance the night away before opening to the public. The challenge? The playlist had to be limited to two hours. Fortunately, the DJ gave me a bonus hour, as long as I didn’t play any later-in-the-night favorites. So, for hour three, I had to reel it in a bit but still managed to throw in some favorites while trying to appeal to the masses. The music covered many genres and spanned a few decades but, of course, the bulk of the songs were from the ‘80s.

I started off the night with something relaxing and danceable and then moved into some minimal wave favorites. This was followed by some early ‘80s post-punk, gothy material that flowed into new wave and synthpop. Even managed to slip in some LCD Soundsystem without a hitch. The last part of hour two was a mixed bag of glam rock, indie, and punk. Hour three was filled with ‘80s new wave staples, jangle pop, and some indie classics. All in all, tried to get in a little something for everyone. The dance floor moved all night and there is nothing like hearing your favorite songs on the big speakers. Might have to make this an annual event.

Pretending to work the decks.

Playing DJ v2

Here’s the complete playlist:

Torch – Soft Cell (1982)
The Last Song – Trisomie 21 (1986)
Watching Trees  – Eleven Pond (1986)
Romantic Me – Polyrock (1980)
Disorder – Joy Division (1979)
Primary – The Cure (1981)
Last Year’s Wife – Zero Le Creche (1984)
A Day Without Me – U2 (1980)
Everywhere I Go – The Call (1986)
Ahead – Wire (1987)
Nowhere Girl – B-Movie (1982)
The Damned Don’t Cry – Visage (1982)
I Die: You Die – Gary Numan (1980)
Messages – OMD (1980)
Up All Night – Boomtown Rats (1981)
Lawnchairs – Our Daughter’s Wedding (1980)
I Can Change – LCD Soundsystem (2010)
Dreaming of Me – Depeche Mode (1981)
Angst In My Pants – Sparks (1982)
Sexcrime (Nineteen Eighty-Four) – Eurythmics (1984)
Why? – Bronski Beat (1984)
The Cutter – Echo & the Bunnymen (1983)
Glamorous Glue – Morrissey (1992)
The Jean Genie – David Bowie (1972)
Candy – Iggy Pop (1990)
Dreaming – Blondie (1979)
Janie Jones – The Clash (1977)
Anything Anything – Dramarama (1985)
Sheena Is a Punk Rocker – The Ramones (1977)
Last Caress – The Misfits (1978)
Eighties – Killing Joke (1984)
Mandinka – Sinead O’Connor (1987)
Wishing (If I Had A Photograph Of You) – Flock of Seagulls (1982)
To Look at You – INXS (1982)
The Ghost In You – Psychedelic Furs (1984)
Blue Savannah – Erasure (1989)
Rattlesnakes – Lloyd Cole & the Commotions (1984)
Love Is the Law – Suburbs (1984)
Crash – Primitives (1988)
Chamber of Hellos – Wire Train (1983)
She Bangs the Drums – Stone Roses (1989)
Ceremony – New Order (1981)
Inside Out – The Mighty Lemon Drops (1988)
A Million Miles Away – The Plimsouls (1983)
We Are Not Alone – Karla DeVito – (1985)
Masquerade – Berlin (1983)
Mad World – Tears for Fears (1983)

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It’s time for another installment of ‘80s protest songs. In my last post, I focused on the anti-apartheid movement and how artists helped bring this issue to a broader audience. This time around I’ll be focusing on songs that dealt with the backlash against Ronald Reagan and his policies. There were countless artists who spoke out against the administration’s policies, such as cuts to social programs and taxes for the wealthy, deregulating the EPA, and the rise of capitalism. It would take another post to cover protests over the administration’s military policies.

The B-52s’ song “Channel Z” is pretty much an indictment of the Reagan administration as a whole wrapped up in a fun, upbeat tempo. But mostly this song is a condemnation of the deregulation of the media under the administration and the constant feeding of mass information to an all too eager public. It was the debut single off the 1989 album Cosmic Thing. Although not achieving the success of other songs from the album, such as “Love Shack,” and “Roam,” it did reach #61 on the UK Singles Chart.

 

One of my favorite songs off R.E.M.’s 1987 album Document is the opening track, “Finest Worksong.” The song is basically a rousing call to arms against Reagan capitalism delivered in an almost sermon-like form. It was the third, and last, single to be released off the album. It reached #50 in the UK but failed to chart in the U.S. A slightly lighter-sounding version of the song is included on the greatest hits compilation, Eponymous. It’s the brighter version that Pete Buck felt should have been on Document but I think I’ll have to disagree with Mr. Buck on this one.

 

The Ramones also joined the fray with their song “Bonzo Goes to Bitburg.” The single, released in 1985, was a protest to a visit Ronald Reagan paid to a military cemetery in Bitburg, Germany. Along with members of the German army, there were also several members of the Waffen SS (a branch of the Third Reich) buried there. The Ramones were joined in protest by holocaust survivors, US politicians from both sides of the aisle, and many countries in Europe. To stem the tide of criticism, a visit to a concentration camp was added to Reagan’s agenda. The single was not released in the US and as an import became a minor success on college radio. Retitled “My Brain is Hanging Upside Down (Bonzo Goes to Bitburg),” the song was included on the 1986 album Animal Boy.